Prambanan

Prambanan, the Most Beautiful Hindu Temple in the World

Prambanan temple is extraordinarily beautiful building constructed in the tenth century during the reigns of two kings namely Rakai Pikatan and Rakai Balitung. Soaring up to 47 meters (5 meters higher than Borobudur temple), the foundation of this temple has fulfilled the desire of the founder to show Hindu triumph in Java Island. This temple is located 17 kilometers from the city center, among an area that now functions as beautiful park.

There is a legend that Javanese people always tell about this temple. As the story tells, there was a man named Bandung Bondowoso who loved Roro Jonggrang. To refuse his love, Jonggrang asked Bondowoso to make her a temple with 1,000 statues only in one-night time. The request was nearly fulfilled when Jonggrang asked the villagers to pound rice and to set a fire in order to look like morning had broken. Feeling to be cheated, Bondowoso who only completed 999 statues cursed Jonggrang to be the thousandth statue.

Prambanan temple has three main temples in the primary yard, namely Vishnu, Brahma, and Shiva temples. Those three temples are symbols of Trimurti in Hindu belief. All of them face to the east. Each main temple has accompanying temple facing to the west, namely Nandini for Shiva, Angsa for Brahma, and Garuda for Vishnu. Besides, there are 2 flank temples, 4 kelir temples and 4 corner temples. In the second area, there are 224 temples.

Entering Shiva temple, the highest temple and is located in the middle, you will find four rooms. One main room contains Shiva statue, while the other three rooms contain the statues of Durga (Shiva's wife), Agastya (Shiva's teacher), and Ganesha (Shiva's son). Durga statue is said to be the statue of Roro Jonggrang in the above legend.

In Vishnu temple, to the north of Shiva temple, you will find only one room with Vishnu statue in it. In Brahma temple, to the south of Shiva temple, you find only room as well with Brahma statue in it.

Quite attractive accompanying temple is Garuda temple that is located close to Vishnu temple. This temple keeps a story of half-bird human being named Garuda. Garuda is a mystical bird in Hindu mythology. The figure is of golden body, white face, red wings, with the beak and wings similar to eagle's. It is assumed that the figure is Hindu adaptation of Bennu (means 'rises' or 'shines') that is associated with the god of the Sun or Re in Old Egypt mythology or Phoenix in Old Greek mythology. Garuda succeeded in saving his mother from the curse of Aruna (Garuda's handicapped brother) by stealing Tirta Amerta (the sacred water of the gods).

Its ability to save her mother made many people admire it to the present time and it is used for various purposes. Indonesia uses the bird as the symbol of the country. Other country using the same symbol is Thailand, with the same reason but different form adaptation and appearance. In Thailand, Garuda is known as Krut or Pha Krut.

Prambanan also has panels of relief describing the story of Ramayana. Experts say that the relief is similar to the story of Ramayana that is told orally from generation to generation. Another interesting relief is Kalpataru tree that - in Hindu - the tree is considered tree of life, eternity and environment harmony. In Prambanan, relief of Kalpataru tree is described as flanking a lion. The presence of this tree makes experts consider that Javanese society in the ninth century had wisdom to manage its environment.

Just like Garuda, Kalpataru tree is also used for various purposes. In Indonesia, Kalpataru is used as the logo of Indonesian Environment Institution. Some intellectuals in Bali even develop "Tri Hita Karana" concept for environment conservation by seeing Kalpataru relief in this temple. This tree of life is also seen in the gunungan (the puppet used as an opening of traditional puppet show or wayang kulit). This proves that relief panels in Prambanan have been widely known throughout the world.

If you see the relief in detail, you will see many birds on them; they are real birds as we can see on the earth right now. Relief panels of such birds are so natural that biologists can identify their genus. One of them is the relief of the Yellow-Crest Parrot (Cacatua sulphurea) that cites unanswered question. The reason is that the bird only exists in Masakambing Island, an island in the middle of Java Sea. Then, did the bird exist in Yogyakarta? No body has succeeded in revealing the mystery.

You can discover many more things in Prambanan. You can see relief of Wiracarita Ramayana based on oral tradition. If you feel tired of enjoying the relief, you can take a rest in the beautiful garden in the complex. Since 18 September 2006, you can enter zone 1 area of Prambanan temple. The damage caused by the earthquake on 27 May 2006 is being reconstructed. Please come and enjoy Prambanan temple.

Source : www.yogyes.com

Plaosan Temple

Plaosan Temple, the Twin Temple in Yogyakarta

After visiting Prambanan temple, you should not rush to your hotel, because close to the beautiful Hindu temple, you can also see other interesting temples. Moving 1 kilometer northwards, you will find Plaosan Temple; a temple constructed by Rakai Pikatan for her wife, Pramudyawardani. The architect of the temple that is located in Bugisan village of Prambanan sub-district is combination of Hindu and Buddha.

Plaosan complex is divided into 2 groups, namely the North Plaosan Temple and the South Plaosan Temple. Both of the temples have square terrace that is encircled by wall, a pillbox for meditation at the west part and dome on other side. Because of that similarity, the appearance of both temples are the same when they are seen from distant so that Plaosan temple is also called the twin temples.

The North Plaosan Temple has middle courtyard encircled by wall with the entrance at the west side. In the middle of the courtyard, there is a hall as wide as 21.62 m x 19 m. At the eastern part of the hall, there are 3 altars, namely north, east and south altars. The pictures of Amitbha, Ratnasambhava, Vairochana, and Aksobya are at the east altar. Samantabadhara statue and Ksitigarba figure is at the north altar, while Manjusri picture is at the west alter.

The South Plaosan temple also has a hall at the center that is encircled by 8 small temples that is divided into 2 ranks and each rank consists of 4 temples. There also pictures of Tathagata Amitbha, Vajrapani with vajra attribute at the utpala and Pranjaparamita who was considered "the mother of all Buddha". Some other pictures can still be found but not at their original places. Manujri figure that according to a Dutch scientist named Krom is significant can also be seen.

Part of this bas relief has unique picture of man and woman. There is a man described as sitting cross-legged with worshipping hands and a figure of a man with vara mudra and vse at his leg encircled by six smaller men. A woman is described as standing with vara mudra hands, while there are book, pallet, and vase around her. Krom explains that figures of those man and woman are descriptions of supporting patron from two monasteries.

The entire complex of Plaosan temple has 116 ancillary domes and 50 ancillary temples. Ancillary domes can be seen on each side of the main temple, as can smaller ancillary temples. Walking northwards, you can see open building called Mandapa. Two inscriptions can also be found; they are the inscription on gold coin at the north of the main temple and an inscription written on a stone in the first line of the ancillary temples.

One of the characteristics of Plaosan temple is the smooth surface of the terrace. Krom explains that such a terrace is different from other temples of the same time. To his opinion, it is related to the function of a temple by that time that is predicted to keep canonical texts owned by Buddhist monks. Other prediction by Dutch scientists, if the number of monks in that area is small then the terrace might be used as a place for Buddhists to pray.

If you go around the temple complex, you will notice that the complex of Plaosan temple is wide. That can also be noticed from long fence stretching 460 meters from north to south and 290 meters from west to east. There is also moat inside stretching as long as 440 meters from north to south and 270 meters from west to east. The moat can be seen by walking eastwards through the middle part of this historical building.

Source : www.yogyes.com

Candi Pawon (Pawon Temple)

Pawon Temple is one and half kilometers westward from Mendut Temple and eastward from Borobudur Temple, it is also a Buddhist temple. When appreciating in detail, its sculpture is the beginning of Borobudur sculpture.

Pawon Temple is not a grave but as a place to keep King Indra's weapon namely Vajranala. This temple was built with volcanic stones. Architecturally it is a blend of old Javanese Hindu and Indian art. Pawon temple is exactly in the central point of the straight line stretched from Borobudur to Mendut Temple.

Perhaps it was built for kubera. It is on a wide rather terrace with steps. All parts are decorated with stupa(s) on dagoba(s) and its outside walls with symbolic pictures.

Source : www.yogyes.com

Candi Mendut (Mendut Temple)

Candi Mendut (Mendut Temple) is 3 kilometers eastward from Borobudur Temple. It is a Buddhist temple, built in 824 A.D. by King Indera of Cailendra dynasty.

There are three big statues inside, they are:

1. Cakyamuni sitting in cross legged pose with dharma cakra mudra (= turning the wheel of dharma hand pose)
2. Awalokiteswara, a bodhi satwa as human being helper.
   Awalokiteswara is a statue with Amitabha on her crown, Vajrapani. She is holding a red lotus and put on her palm.
3. Maitreya, a savior of human beings in the future.

There are stories for children on its walls.

Candi Mendut (Mendut Temple) is frequently used to celebrate the Waisak day every May full moon and the pilgrims from Indonesia and all parts of the world come to this ceremony.

It is older than Candi Borobudur. Its architecture is square, and having an entrance on its steps. Its roof is also square and terraced. There are stupas (= bell-shaped structures) on it.

Source : www.yogyes.com

Ijo Temple

Ijo Temple, the Temple Located at the Highest Place in Yogyakarta

Going along the street leading to the southern part of Queen Boko Palace complex is such an exciting journey, especially for cultural tourism lovers. The reason is that there are so many temples mushrooming in that area. One of them that is rarely talked about is Candi Ijo or Ijo Temple; one temple of which location is the highest compared to other temples in Yogyakarta.

Ijo Temple was built in around the ninth century on a hill named the Green Hill of which height is 410 meters above the sea level. Because of this height, we can enjoy not only the temple but also natural view below such as terraces of agriculture land with its steep slope. Even though this is not a fertile area, natural view around the temple is so beautiful to enjoy.

The complex of the temple consists of 17 building structures that are divided into 11 terraces. The first terrace functioning as the yard leading to the entrance is a terrace with staircase stretching from west to east. The building on the eleventh terrace is in the form of encircling wall, eight pole phallus, four buildings namely the main temple, and three ancillary temples. The placement of the building on each terrace is based on the level of its being sacral. The building on the highest terrace is the most sacral.

Variants of painting are found since the entrance of this Hindu temple. Right on the entrance gate, there is a motif of double head giant and some of its attributes. Such motif and attributes found in Buddhist temples show that such temples are acculturation forms of Hindu and Buddha cultures. Some temples having such giant motif are Ngawen, Plaosan and Sari.

There is also a statue describing flying woman and man directing to certain side. Such description can have some meanings; first, as spells to expel evil spirit and second as symbol of unity between god Siva and goddess Umi. The unity is meant as the onset of universe creation. Different from the statues in Prambanan Temple, natural style of the statues in Ijo Temple do not lead to eroticism.

Approaching the ancillary temples on the eleventh terrace, there is a pit possible used to burn sacrifice. Right on the upper part of the pit back wall there are ventilations in the forms of trapezium and triangle. The pit reflects the Hindu community that adores Brahma, the god of fire. The three ancillary temples show community adoration to the three Hindu gods, namely Brahma, Siva, and Vishnu.

Some of the works that keep mystery are two inscriptions located in the temple building on the ninth terrace. One of the inscriptions is coded by letter F with the writing Guywan or Bluyutan meaning place for meditation. Another inscription is made of stone as high as 14 cm and as thick as 9 cm containing magic spells that are predicted to be curses. The magic spells were written 16 times and parts of them read "Om Sarwwawinasa, Sarwwawinasa." The two inscriptions may relate closely to certain occurrences in Java by that time. What were the occurrences? They are not revealed yet up to now.

Visiting this temple, you will find beautiful scenery that other temples do not have. Looking down westwards, you will see airplane taking off and landing at Adisutjipto International Airport. You see this scenery because the Seribu Mountains where Ijo Temple is located is the border of the east part of the airport. It is because of the presence of this temple that Adisutjipto Airport cannot be lengthened eastwards.

Each detail of the temple presents meaningful thing and invites the visitors to make a reflection so that the journey will not just be fun time. Great paintings without the name of the creators show life philosophy of the past Javanese community that emphasized more on moral message presented by the works rather than the creators or the greatness of their works.

Source : www.yogyes.com

Candi Gebang (Gebang Temple)

Candi Gebang (Gebang Temple)

The local inhabitant discovered the Gebang temple in November 1936 in a form of Ganesha statue. Based on the finding, the Archeological Services began to investigate, resulting that the Ganesha statue should not stand alone, but a part of a building. To follow up the results, a digging up around the location of the Ganesha statue began. Ruins of temple roof were found on which a little part of the body and the base appeared to be intact.

After the digging, an experiment on its previous construction was carried out. It initiated the reconstruction even though some substituting stones were used for a part of the body. The restoration of the Gebang temple was carried out from 1937 to 1939, led by Prof. Dr. Ir. Van Romondt.

Description of the building of Candi Gebang (Gebang Temple)

The squared building of 5.25 x 5.25 m and 7.75 in height has a high proportion of the feet without any relief on it (plain). There is no entrance stairs, or it is probably made of wood or other breakable materials so that nobody has discovered it by now. It becomes one of its specialties. Another one is that the center point of the temple is laid on the center point of the temple site.

Inside the body, there is a room with eastern front on which the Yoni placed. On the right ant left sides there are the Nandiswara statues, while there is not any statue in the room of Mahakala. (Note: When YogYES.COM were visiting it in February 2004, the Nandiswara statue did not exist). The rooms in the north and south sides were empty. In the west, statue sitting on a Yoni with its nozzle looks on the north a Ganesha. On the top, there is a Lingga on a lotus, as its pad. On the top of it is in a shape of Lingga, namely in cylindrical. In the roof, there is a small room like a hollow space on the real room of the temple. In the yard, there is a pseudo-Lingga (or stakes) on its four corners.

Historical Background of Candi Gebang (Gebang Temple)

There has not been assuring historical background on this temple by now. At least, it is certainly a temple of Hinduism, marked by the existing Lingga, Yoni, and Ganesha statue. Besides, its high proportional feet indicate that if comes from an old period (± years 730-800). According to Van Romondt, however, the Gebang temple was established in the starting age of "Central Java".

Source : www.yogyes.com

Gampingan Temple

Reading the Message from Nirvana in Gampingan Temple

Not all temples have typical, beautiful relief since generally they are decorated with statues and general relief as those found in almost all other temples. One of the temples with specific, beautiful relief is Gampingan, a temple that was incidentally found by a brick craftsman in Gampingan Village, Piyungan, Bantul in 1995. Small and incomplete, Gampingan temple is still rich in the enchanting relief.

One of the reliefs that we can see in this temple is the animal relief at the foot of it. The animal relief in this temple looks so natural that we can name the described animals. It is quite rare to find such relief; at least, they are only Prambanan and Mendut temples that have similar relief. All of the reliefs are decorated with ivory plant, namely padmamula (the roots of lotus plant) that is believed to be the source of life.

When YogYES walked around the temple, it clearly look that birds dominate the decoration. There is a relief of a raven with its big beak, robust body, up stretching wings and the fan-like tail. There is also a relief of a woodpecker that is described to have a crest on its head, rather long, pointed beak, and not-stretched wings. Besides, there is also a crow with distended chest and wings stretching downward.

The making of many bird reliefs in this temple relates to community belief in transcendental power of birds. It was believed that birds are manifestation of the deities or nirvana. Birds are also related to human absolute freedom that is attained after the renunciation, the symbol of human soul that leaves its body.

Other animal that is often described in the temple is frog. The community believed that frogs have supra natural power to send rain so that it was also believed to increase productivity, because the rain will be able to increase the harvest. The frogs that usually come up from waters also symbolize life renewal and the awakening towards better direction.

The relief still leaves a question of whether it is a fable (the animal story told to children) like the one in Mendut temple or a description of animals that was intentionally made to denote certain meaning. Such question rises because the description of the animals in the temple was not found in any books containing fables such as Jataka, Sukasaptati, Pancatantra and its hereditary versions.

Gampingan temple that is predicted to be built between 730 - 850 AC is believed to be the place for adoring Jambhala (god of prosperity, the child of Siva). The idea is based on the finding of Jambhala statue in the digging process. Jambhala is described to have been meditating; sitting crossed-legged while closing the eyes. The body was decorated by iconographical element (asana) in the form of a lotus with 8 pieces of leaves as the symbol of Vishnu mystical weapon (cakra) in the human body.

The figure of Jambhala in this temple is different from those in other temples. Generally, Jambhalas in other temples are described with wide eyes looking at the worshippers with various accessories symbolizing prosperity and luxury. This different description is believed to be based on the worship motivation, not to invoke prosperity but guidance in order to achieve the real happiness.

Visiting Gampingan temple will lead us to remembering the path we have taken to achieve happiness and prosperity. Relief that is dominated by animals that live in the surrounding environment could be the realization of local community's wisdom by that time in representing a message from nirvana: mankind must keep the harmony of nature in order to live in prosperity and to avoid disaster.

Source : www.yogyes.com

Borobudur

Borobudur, the Biggest Buddhist Temple in the Ninth Century

Who does not know Borobudur? This Buddhist temple has 1460 relief panels and 504 Buddha effigies in its complex. Millions of people are eager to visit this building as one of the World Wonder Heritages. It is not surprising since architecturally and functionally, as the place for Buddhists to say their prayer, Borobudur is attractive.

Borobudur was built by King Samaratungga, one of the kings of Old Mataram Kingdom, the descendant of Sailendra dynasty. Based on Kayumwungan inscription, an Indonesian named Hudaya Kandahjaya revealed that Borobudur was a place for praying that was completed to be built on 26 May 824, almost one hundred years from the time the construction was begun. The name of Borobudur, as some people say, means a mountain having terraces (budhara), while other says that Borobudur means monastery on the high place.

Borobudur is constructed as a ten-terraces building. The height before being renovated was 42 meters and 34.5 meters after the renovation because the lowest level was used as supporting base. The first six terraces are in square form, two upper terraces are in circular form, and on top of them is the terrace where Buddha statue is located facing westward. Each terrace symbolizes the stage of human life. In line with of Buddha Mahayana, anyone who intends to reach the level of Buddha's must go through each of those life stages.

The base of Borobudur, called Kamadhatu, symbolizes human being that are still bound by lust. The upper four stories are called Rupadhatu symbolizing human beings that have set themselves free from lust but are still bound to appearance and shape. On this terrace, Buddha effigies are placed in open space; while the other upper three terraces where Buddha effigies are confined in domes with wholes are called Arupadhatu, symbolizing human beings that have been free from lust, appearance and shape. The top part that is called Arupa symbolizes nirvana, where Buddha is residing.

Each terrace has beautiful relief panels showing how skillful the sculptors were. In order to understand the sequence of the stories on the relief panels, you have to walk clockwise from the entrance of the temple. The relief panels tell the legendary story of Ramayana. Besides, there are relief panels describing the condition of the society by that time; for example, relief of farmers' activity reflecting the advance of agriculture system and relief of sailing boat representing the advance of navigation in Bergotta (Semarang).

All relief panels in Borobudur temple reflect Buddha's teachings. For the reason, this temple functions as educating medium for those who want to learn Buddhism. YogYES suggests that you walk through each narrow passage in Borobudur in order for you to know the philosophy of Buddhism. Atisha, a Buddhist from India in the tenth century once visited this temple that was built 3 centuries before Angkor Wat in Cambodia and 4 centuries before the Grand Cathedrals in Europe.

Thanks to visiting Borobudur and having supply of Buddha teaching script from Serlingpa (King of Sriwijaya), Atisha was able to improve Buddha's teachings after his return to India and he built a religion institution, Vikramasila Buddhism. Later he became the leader of Vikramasila monastery and taught Tibetans of practicing Dharma. Six scripts from Serlingpa were then summarized as the core of the teaching called "The Lamp for the Path to Enlightenment" or well known as Bodhipathapradipa.

A question about Borobudur that is still unanswered by far is how the condition around the temple was at the beginning of its foundation and why at the time of it's finding the temple was buried. Some hypotheses claim that Borobudur in its initial foundation was surrounded by swamps and it was buried because of Merapi explosion. It was based on Kalkutta inscription with the writing 'Amawa' that means sea of milk. The Sanskrit word was used to describe the occurrence of disaster. The sea of milk was then translated into Merapi lava. Some others say that Borobudur was buried by cold lava of Merapi Mountain.

With the existing greatness and mystery, it makes sense if many people put Borobudur in their agenda as a place worth visiting in their lives. Besides enjoying the temple, you may take a walk around the surrounding villages such as Karanganyar and Wanurejo. You can also get to the top of Kendil stone where you can enjoy Borobudur and the surrounding scenery. Please visit Borobudur temple right away...

Source : www.yogyes.com

Kekayon Museum

Kekayon Museum, Turning On the Record of Indonesian History

The video recording describing the history of Indonesian nation may be seen often, but a recording in the form of a replica accounting for Indonesian history from old time to the independence proclamation is rarely seen, moreover a recording containing the history of the puppet art from the sixth to tenth centuries. Kekayon museum presents the rare recording in the location of its foundation, around 1 kilometer of the East Ring Road.

The museum that describes the history of Indonesian nation as well as the puppet history was founded on 23 July 1990 by Soedjono Prawirohadikusumo, a specialist doctor of mentally sick people. He believed that the art of leather puppet was able to bring someone to understanding of knowledge and manners to come to maturity in the sense that one can transform his knowledge to the next generation.

Entering the yard of the museum, you begin to turn on the recording of the Indonesian history. At the left, front corner of the museum, there is a building complex of the ancient human beings describing the origin of Indonesian people. Not far from it, an Austronesia complex describes the entrance of the new civilization to Indonesia so that agriculture and trading developed, especially thanks to the arrival of Chinese people.

At the front part of the museum, there is Borobudur lion statue, symbolizing the entrance of Hindu Buddha culture in the first - seventh centuries with Borobudur temple being the top of their culture. Water tower complex with the roof forming a temple lies at the right, rear of the museum, describing the triumph of Majapahit that succeeded in uniting almost all Indonesian current areas, even up to the current Malaysia and Thailand.

The symbol of Islam civilization advancement as the next historical scene in Indonesia after the triumph of Hindu Buddha is symbolized by Kudus Tower. Meanwhile, Pancuran Bidadari complex that is located at the left, center of the museum symbolizes the influence of the Dutch nation that colonized Indonesia for 350 years. The two complexes reflect the events taking place in Indonesia in the sixteenth century.

Replica of one scene of leather puppet art development is also made, in the form of Gunungan Kartasura that is located at the left, rear of the museum, describing the completion puppet stories in the eighteenth century by an artist of Surakarta Kingdom named Yododiupro from Kakawin Ramayana to become Serat Ramayana. Baleranu Mangkubumi complex, Japan statue and Proclamation statue symbolize the scene of Indonesian history before the independence.

Entering the room of the museum consisting of 4 parts, you will see collection of various leather puppets owned by Soedjono. There is a collection of the oldest leather puppets, namely wayang purwa or the first leather puppets that were performed since the era of Kediri Kingdom. The available wayang purwa are those made from buffalo skin with and without accessories. Room 1 and 2 are the places to keep the puppet collection.

Room 3 keeps other kinds of puppet, for instance Wayang Madya that existed in Kediri-Majapahit time, telling the time after Bharatayudha war.

Besides, there are gedhog puppets telling the story of Dewi Candrakirana, klithik puppet telling Damarwulan and Minakjinggo, Dupara puppet telling the struggle of Diponegoro and Suluh puppet that tells the struggle of Indonesian people to get the independence.

What is unique is that this museum keeps Wayang Kancil telling the legendary story of a mouse deer that stole cucumber, a puppet story that was adapted to become a famous story among old and young people. There are two kinds of Wayang Golek originating from West Java, and statues of some puppet characters such as Dewi Shinta and Rahwana.

In this museum, you can match your zodiac with the characters in the puppet world and foresee your character through a poster hanging on the wall that you can read clearly. There is another poster describing the war strategies used during Brathayuda war, by both Pandawa and Kurawa, which were successfully implemented to defeat the enemy. Some of the strategies are lobster pincer and elephant strategies.

You do not have to spend much to visit this museum. The entrance ticket is IDR 3,000 and additional IDR 2,000 for guidance book. Before begin your exploration, a guide will explain to you about the history and parts of the museum. Public transportation is easy to find to reach this place.

Text: Yunanto Wiji Utomo
Photo & Artistic: Agung Sulistiono Mabruron
Copyright © 2007 YogYES.COM

Tour de Djokdja

Tour de Djokdja No. 21 / I: Arts Museum in Yogyakarta

Being a culture city, Yogyakarta becomes the growing place of various arts, from batik, painting, puppets and so on. The variants of those arts often cannot be seen directly since some of them are difficult to find. Tour de Djokdja this edition takes the theme of "Arts Museum in Yogyakarta" to invite you to explore some arts museums as the place to document the great arts works.

The exploration begins from Ullen Sentalu Museum in Kaswargan Park as the documentation room for the works by the Kingdom ladies. Then, it continues to Affandi Museum containing some works of the Indonesian painting maestro, Affandi. Finally, Tour de Djokdja invites you to Kekayon Museum presenting record of Indonesian history and Puppet Art.

Bon Voyage!

• Ullen Sentalu Museum, Reflection of the Kingdom Ladies' Beauty

Poem, batik, clothes and paintings of the ladies of Yogyakarta Kingdom, Surakarta, Mangkunegaran and Pakualaman, are all presented beautifully in Ullen Sentalu museum. A museum seemingly becomes the reflection of the kingdom ladies' beauty.

• Affandi Museum, Visiting the Palace of a Maestro

Affandi museum is all part of Affandi's life as a painting maestro. At the bank of Gajah Wong River, Affandi used to live, work, and transform his knowledge and now he lives in his eternal home there.

• Kekayon Museum, Turning On the Record of Indonesian History

A recording of Indonesian history in the form of a replica signing each scene of its development can bee seen in Kekayon Museum. Included in it is the history of the world-known puppet leather.

Source : www.yogyes.com

East Borneo

GEOGRAPHICALY
East Kalimantan is the widest province in Indonesia, broadly region is about 245237,80 Km2 or about one a half point of Java Island and Madura or 11 % from Indonesia region wide total. This province abuts on direct with neighboring state, that is Sabah and Serawak, East Malaysia.

ADMINISTRATIVE
Based on the government region, this province is divided into 4 municipal administrations, and 9 regencies and 122 Districts, 1347 villages and 191 sub-districts.
East Kalimantan Province has 13 Regencies and Cities

1. Berau Regency
2. Bulungan Regency
3. Kutai West Regency
4. Kutai Kartanegara Regency
5. Kutai East Regency
6. Malinau Regency
7. Nunukan Regency
8. Pasir Regency
9. North Penajam Paser Regency
10. Balikpapan City
11. Bontang City
12. Samarinda City
13. Tarakan City

DEMOGRAPHY
East Kalimantan Resident in 2004 amount to 2.750.369 men in 2005 East Kalimantan residents is predicted amount to 2,8 million men. It is compared to region wide, East Kalimantan Province has low density, that is mean about 11,22 men per Km2.

INVESTMENT
The main result of this province is mining products like oil, natural gas, and stone smoldered. Other sector being grow is agricultural and tourism.
East Kalimantan has some tourism objects such as;

1. Derawan Archipelago in Berau,
2. Kayan Mentarang National Park
3. Batu Lamampu Beach in Nunukan
4. The Crocodile Breeding in Balikpapan
5. The Deer Breeding in Penajam,
6. Dayak Pampang Kampong in Samarinda,
7. Amal Beach in Tarakan city

PROVINCE

• Papua
• West Papua
• North Maluku
• Maluku
• West Sulawesi
• Gorontalo
• South East Sulawesi
• South Sulawesi
• Central Sulawesi
• North Sulawesi
• East Kalimantan
• South Kalimantan
• Central Kalimantan
• West Kalimantan
• East Nusa Tenggara
• West Nusa Tenggara
• Bali
• Banten
• East Java
• DIY Yogyakarta
• Central Java
• West Java
• DKI Jakarta
• Riau Archipelago
• Bangka Belitung Archipelago
• Lampung
• South Sumatra
• Jambi
• Riau
• North Sumatra
• Nanggroe Aceh Darussalam

NANGGROE ACEH DARUSSALAM

Aceh, generally anglicized as is a special territory of Indonesia, located on the northern tip of the island of Sumatra. Its full name is Nanggröe Aceh Darussalam. Past spellings of its name include Acheh, Atjeh and Achin.

It is thought to have been in Aceh where Islam was first established in Southeast Asia. In the early seventeenth century the Sultanate of Aceh was the most wealthy, powerful and cultivated state in the Malacca Straits region. Aceh has a history of political independence and fierce resistance to control by outsiders, including the former Dutch colonists and the Indonesian government. Aceh has substantial natural resources, including oil and gas - some estimates put Aceh gas reserves as being the largest in the world. Relative to most of Indonesia, it is a religiously conservative area.

Aceh was the closest point of land to the epicenter of the massive 2004 Indian Ocean earthquake, which triggered a tsunami that devastated much of the western coast of the region, including part of the capital of Banda Aceh. 226,000 Indonesians were killed or went missing in the disaster, and approximately 500,000 were left homeless. with these casualties particularly pronounced in Aceh. This event helped trigger the peace agreement between the government of Indonesia and the Free Aceh Movement (GAM), mediated by former Finnish president Martti Ahtisaari, with the signing of a MoU on August 15, 2005. With the assistance of the European Union through the Aceh monitoring mission as of December 2005, the peace has held.

Source : Wikipedia

NORTH SUMATRA

North Sumatra is a province of Indonesia. Its capital is Medan. It is the most populous Indonesian province outside of Java.

Geography and population

The province of North Sumatra stretches across the island of Sumatra between the Indian Ocean and the Strait Malacca. It borders Aceh province on the northwest and Riau and West Sumatra provinces on the southeast. It has an area of 70787 km². The province contains a broad, low plain along the Strait of Malacca coast; the provincial capital, Medan, is located here. In the south and west, the land rises to the mountain range that runs the length of Sumatra; the mountains here are dominated by Lake Toba, formed from the caldera of an ancient volcano. Several large islands in the Indian Ocean off the coast of Sumatra are part of North Sumatra, most notably Nias, and the Batu Islands.
North Sumatra has a population of approximately 11.48 million (As of 2000 census).

Agriculture and economy

Sumatra Mandheling and Sumatra Lintong coffee beans are grown in North Sumatra and largely exported to the U.S. Mandheling is named after the similarly spelt Mandailing people located in North Sumatra, Indonesia. The name is the result of a misunderstanding by the first foreign purchaser of the variety, and no coffee is actually produced in the "Mandailing region". Lintong on the other hand, is named after the Lintong district, also located in North Sumatra.

Source : Wikipedia

WEST SUMATRA

West Sumatra is a province of Indonesia. It lies on the west coast of the island Sumatra, and borders the provinces of North Sumatra to the north, Riau and Jambi to the east, and Bengkulu to the southeast. It includes the Mentawai Islands off the coast. The capital of the province is Padang.



History

The history of West Sumatra is closely related to the history of the Minangkabau people. Archaeological evidence indicates that the area surrounding the Limapuluh Koto regency forms the first area inhabited by the Minangkabau. This interpretation seems to be justified as the area of the Limapuluh Koto regency covers a number of large rivers which meet at the eastern part of the Sumatran coastline. The rivers were known have provided important sailing transportation from the previous era to the end of the last century. The Minangkabau ancestors were believed to have arrived on this route. They sailed from Asia (Indo-China) via the South China Sea, crossing the Malacca Strait and later settled along the Kampar, Siak and Indragiri (or Kuantan) rivers. A portion of them lived and developed their culture and traits around the Limapuluh Koto regency.

The integration with migrants in the ensuing periods introduced cultural changes and an increase in population. Their settlement area gradually became diminished and eventually they spread to other parts of West Sumatra. A portion of them went to the Agam regency while others went to the now Tanah Datar regency. From those areas onward, further spread of the population occurred north of the Agam regency, in particular, the Lubuk Sikaping. Rao and Ophir districts. Most of them settled in the western area such as the coastline and some in the southern parts in Solok, Selayo and the surrounding areas of Muara and Sijunjung.

The history of the West Sumatra Province became more accessible at the time of the rule by Adityawarman. This ruler left considerable amount of evidence of himself, although he did not proclaim that he was the Minangkabau King. Adityawarman ruled Pagaruyung, a region believed by the Minangkabau to be the center of its culture. Adityawarman was the most important figure in Minangkabau history. Apart from introducing a government system by a ruling monarch, he also contributed significantly to the Minangkabau world. His most important contribution was the spread of Buddhism. This religion had a very strong influence in the Minangkabau life. The evidence of such influence found in West Sumatra today includes names such as Saruaso, Pariangan, Padang Barhalo, Candi, Biaro, Sumpur and Selo.

Since the death of Adityawarman in the middle of the 17th century the history of West Sumatra seems more complex. During that time, the connection of West Sumatra with the outside world, in particular, Aceh, became more intense. West Sumatra at that time was the political dominion of Aceh which also monopolized the economy of the area. Coupled with the intensive connection Islam entered into West Sumatra. The new faith eventually became fundamental to the social and cultural way of life in the region. Sheik Burhanuddin was regarded as the first preacher of Islam in West Sumatra. Prior to expanding the faith in the region, he was studying in Aceh.

The dominating influence of Aceh’s politics and economy did not make the people of West Sumatra happy. Ultimately, the growing dissatisfaction gave way to the acceptance of the Dutch although the presence of them also opened up a new chapter in the history of West Sumatra. The arrival of the Dutch in the region caused them to enter the era of colonialism in the very of essence of its meaning.

The first westerner to reach West Sumatra was the French explorer Jean Parmentier in 1529. However, the westerners who came for economic and political reasons were the Dutch. The Dutch commercial fleet was seen along the southern coast of West Sumatra between 1595 – 1598. Apart from the Dutch, other European nationalities also came to the region such as the Portuguese and the English.

Geography

West Sumatra lies in the middle of the western coast of Sumatra, and has an area of 42,297.30 km². Geographic features include plains, mountainous volcanic highlands formed by the Barisan mountain range that runs from north-west to south-east, and an offshore island archipelago called the Mentawai Islands. The West Sumatran coastline faces the Indian Ocean and stretches 375 km from North Sumatra province in the north-west to Bengkulu in the south-east. The lakes of West Sumatra include: Maninjau (99.5 km²), Singkarak (130.1 km²), Diatas (31.5 km²), Dibawah (14.0 km²), Talang (5.0 km²). The rivers of West Sumatra include: Kuranji, Anai, Ombilin, Suliki, Agam, Sinamar, Arau. The mountains & volcanoes of West Sumatra include: Marapi (2,891 m), Sago (2,271 m), Singgalang (2,877 m), Talakmau (2,912 m), Talang (2,572 m), Tandikat (2,438 m).

Source : Wikipedia

RIAU

Riau is a province of Indonesia, located in the center of Sumatra island along the Strait of Malacca. The provincial capital and largest city is Pekanbaru. Other major cities includes Dumai, Bagansiapiapi, Bengkalis, Bangkinang, Rengat and Siak Sri Indrapura. Indonesian was based on the Riau version of Malay language. Riau is one of the richest provinces in Indonesia. This province is rich with natural resources, particularly petroleum and natural gas, rubber, and palm oil. The province was once heavily forested lowlands, but with palm oil plantations and logging being major industries it is losing around 2,000 square km of forest per year.

In 2005 the forest cover was down to 33% (or 27.000 square km) from 78% (or 64.000 square km) in 1982. Being a province with a predominantly low relief, the coastal regions are rapidly losing land to the ocean. The Riau Islands were part of Riau until 2004, when they were made into a separate province.

Economy

The economy of Riau expanded faster (8.66% in 2006) than Indonesian average (6.04% in 2006). Thanks to mainly resource based economy, be it crude oil (600,000 bpd), palm oil and other forest products. Local government income benefit from greater share of revenue of tax (mainly crude oil) due to decentralization law in 2004.

Riau Indonesian

The dialect of Indonesian spoken in this region is considered by linguists as having one of the least complex grammars among the languages of the world (apart from creoles), possessing neither noun declensions, nor temporal distinctions, nor subject/object distinctions, nor singular/plural distinction. For example, the phrase Ayam makan (lit. 'chicken eat') can mean, in context, anything from 'the chicken is eating', to 'I ate some chicken', 'the chicken that is eating' and 'when we were eating chicken'. A possible reason for this is that Riau Indonesian has been used as a lingua franca for communication between different people in this area during its history, and extensive foreign-language use of this kind tends to simplify the grammar of a language used. Riau Indonesian served as a basis for the modern national language, Indonesian, which however has extensive additional influence from Chinese, Arabic, Dutch and English, among others.

Source : Wikipedia

JAMBI

Jambi is a province of Indonesia located on the east coast of central Sumatra. The capital of the province is Jambi city.

The population of the province is 2.742.196 (2007 BPS).



History

Before what is now Indonesia was colonized by the Dutch East India Company, Jambi was the site of a well-established, powerful Srivijayan kingdom that engaged in trade throughout the Strait of Malacca and beyond. It succeeded Palembang to the south, which was a frequent military and economic rival, as the later capital of the ancient kingdom. The move to Jambi was partly induced by the historic 1025 raid by pirates from the Chola region of southern India that destroyed much of Palembang. In the early decades of the Dutch presence in the region, when the future colonizers were just one of several groups of traders competing with the British, Chinese, Arabs, and Malays, the Jambi sultanate profitably traded pepper with the Dutch. This relationship declined by about 1770, and the sultanate had little contact with the Dutch for about sixty years.

In 1833, minor conflicts with the Dutch, who were well established in Palembang, meant the Dutch increasingly felt the need to control the actions of Jambi. They coerced Sultan Facharudin to agree to greater Dutch presence in the region and control over trade, although the sultanate remained nominally independent. In 1858 the Dutch, apparently concerned over the risk of competition for control from other foreign powers, invaded Jambi with a force from Batavia. They met little resistance, and Sultan Taha fled to the upriver, inland regions of Jambi. The Dutch installed a puppet ruler, Nazarudin, in the lower region, which included the capital city. For the next forty years Taha maintained the upriver kingdom, and slowly reextended his influence over the lower regions through political agreements and marriage connections. In 1904, however, the Dutch were stronger and, as a part of a larger campaign to consolidate control over the entire archipelago, soldiers finally managed to capture and kill Taha, and in 1906, the entire area was brought under direct colonial management.

Source : Wikipedia

SOUTH SUMATRA

South Sumatra is a province of Indonesia. It is on the island of Sumatra, and borders the provinces of Lampung to the south, Bengkulu to the west, and Jambi to the north. Off the east coast are the islands of Bangka and Belitung, which were split from South Sumatra province to form the new province of Bangka-Belitung in 2000.

The capital of South Sumatra province is Palembang.

This province is divided into 10 regencies:

1. Banyuasin (Pangkalan Balai)
2. Lahat (Lahat)
3. Muara Enim Regency (Muara Enim)
4. Musi Banyuasin (Sekayu)
5. Musi Rawas (Muara Beliti Baru)
6. Ogan Ilir (Indralaya)
7. Ogan Komering Ilir (Kayuagung)
8. Ogan Komering Ulu (Baturaja)
9. East Ogan Komering Ulu (Martapura)
10. South Ogan Komering Ulu (Muaradua)

Source : Wikipedia

BENGKULU

Bengkulu is a province of Indonesia. It is on the southwest coast of the island of Sumatra, and borders the provinces of West Sumatra, Jambi, South Sumatra and Lampung. The capital and largest city of the province is Bengkulu city. It was formerly the site of a British garrison, which they called Bencoolen.

The province has a population of 1,405,060 (2000 census). The province also includes Enggano Island.

History

The British East India Company established a long-running pepper-trading center and garrison at Bengkulu (Bencoolen) in 1685. In 1714 the British built Fort Marlborough in the city; the fort still stands. The trading post was never financially profitable for the British, hampered by a location Europeans found unpleasant, and, more importantly, an inability to find sufficient pepper to buy.

Despite these difficulties, the British persisted, maintaining the presence there for 150 years before ceding it to the Dutch as part of the Anglo-Dutch Treaty of 1824 to focus attention on Malacca. Like the rest of present-day Indonesia, Bengkulu remained a Dutch colony until after World War II.

During Sukarno's imprisonment by the Dutch in the early 1930s, the future first president of Indonesia lived briefly in Bengkulu. Here he met his wife, Fatmawati, who gave him several children, the most famous being the first female President of Indonesia, Megawati Sukarnoputri.

Bengkulu lies near the Sunda Fault and is prone to earthquakes and tsunamis. In June 2000 a quake caused damage and the death of at least 100 people. A recent report predicts that Bengkulu is "at risk of inundation over the next few decades from undersea earthquakes predicted along the coast of Sumatra".

A series of earthquakes struck Bengkulu during September, 2007, killing 13 people.

Economy

Coal mining is a major economic activity in Bengkulu. Three active coal mining companies produce between 200,000 and 400,000 tons of coal per year, which is exported to Malaysia, Singapore, South Asia, and East Asia.

Fishing, especially of tuna and mackerel, is an important activity. Agricultural products exported by the province include ginger, bamboo shoots, and rubber.

Source : Wikipedia

LAMPUNG

Lampung is a province of Indonesia, located on the southern tip of the island of Sumatra. It borders the provinces of Bengkulu and South Sumatra. Lampung is the original home of the "Lampung" tribe, who speak a distinct language from other people in Sumatra and have their own alphabet.

The province has a population of 6,731,000 (As of 2000[update] census). A large portion of the current population of Lampung is descended from migrants from Java, Madura, and Bali. These migrants came both spontaneously, in search of more land than was available on the more densely populated islands, as well as part of the government's transmigration program, for which Lampung was one of the earliest and most important transmigration destinations.

Lampung is commonly known for its geographical instability in terms of earthquakes and volcanoes. On May 10 2005, a strong earthquake measuring 6.4 on the richter scale struck the province. The historical volcano blast of Krakatau occurred in 1883, which resulted in disastrous consequences.

Administration

Lampung is divided into 9 regencies:

1. West Lampung
2. South Lampung
3. Central Lampung
4. East Lampung
5. North Lampung
6. Way Kanan
7. Tanggamus
8. Tulang Bawang
9. Pesawaran

and 2 cities: Bandar Lampung and Metro

Some of the major produce in the country includes robusta Coffee beans, Cocoa beans, coconuts and cloves. This has resulted in a thriving agricultural sector with companies like Nestlé procuring coffee beans from the region. This agriculture has included illegal growing in Bukit Barisan Selatan National Park. In addition, Nata de Coco is also manufactured in the region by domestic companies like Wong Coco.

Textile

Up until the 1920s, Lampung had a rich and varied weaving tradition. Lampung weaving used a supplementary weft technique which enabled coloured silk or cotton threads to be superimposed on a plainer cotton background. The most prominent Lampung textile was the palepai, ownership of which was restricted to the Lampung aristocracy of the Kalianda Bay area. There were two types of smaller cloths, known as tatibin and tampan, which could be owned and used by all levels of Lampungese society. Weaving technologies were spread throughout Lampung. High quality weavings were produced by the Paminggir, Krui, Abung and Pesisir peoples. Production was particularly prolific among the people of the Kalianda Bay area in the south and the Krui aristocracy in the north.

The oldest surviving examples of Lampung textiles date back to the eighteenth century, but some scholars believe that weaving may date back to the first millennium AD when Sumatra first came under Indian cultural influence. The prevalence of Buddhist motifs, such as diamonds, suggests that the weaving traditions were already active in the time when Lampung came under the Buddhist Srivijayan rule. There are similarities between Lampung weaving and weaving traditions in some parts of modern-day Thailand that experienced cultural contact with Sriwijaya.

Lampung textiles were known as 'ship cloths' because ships are a common motif. The ship motif represents the transition from one realm of life to the next, for instances from boyhood to manhood or from being single to married and also represents the final transition to the afterlife. Traditionally, Lampung textiles were used as part of religious ceremonies such as weddings and circumcisions. For instance, the palepai cloths were used as long ceremonial wall-hangings behind the bridal party in aristocratic marriages. The smaller, more humble tampan cloths were exchanged between families at the time of weddings.

Production of many fine cloths blossomed in the late nineteenth century as Lampung grew rich on pepper production, but the devastating eruption of Krakatoa in 1883 destroyed many weaving villages in the Kalianda area. By the 1920s the increasing importance of Islam and the collapse of the pepper trade brought production to a halt. Today Lampung textiles are highly prized by collectors.

Source : Wikipedia